Tavern master genres11/30/2022 ![]() ![]() Below left, with the dog, a diagonal line stretches from the man’s violin to the bird cage. Above it, the round pewter plates echo the figures’ heads and lead into the upper section of the painting. Below this line is the scene of figures drinking and making musjc. The composition of this interior is based on the Greek cross pattern (X) dissected by a horizontal line. ![]() He may have studied with the painter Johannes Torrentius from Haarlem. Pieter Duyfhuysen, who was known as a genre painter, was from Rotterdam. The presence of both vessels indicates that the humiliating scene is being played out in a tavern, not in a private home. The larger is a pitcher that in turn would have been filled from the barrel. The smaller of the two jugs is in fact for drinking out of, a tankard, and was certainly used for beer. Interestingly the picture contains no glasses or mugs. The interior is executed in shades of brown with the light falling on the principal elements: both the peasants, the pewter beer jugs the bunch of onions and the white cloth in the basket are all illuminated. What immediately strikes one about this painting is the telling expressions of the two principal characters: the derision of the standing man and the dismay of the seated peasant. And this picture perfectly illustrates the saying: ‘Too much of ought is good for nought’. Over-indulgence in alcohol and smoking leads to impotence. 1603 - 1637 Jan Weenix (sold) Still Life with a HareĪmsterdam 1640/41 – 1719 Adriaen van der Werff and workshop The Flute Playing Shepherd 1603 - 1637 Jan van Vucht Church Interior Uithoorn / Amsterdam 1647 - 1723 Jan van Vucht Interior of a Palace 1632 - 1680 Johannes Voorhout The repudiation of Hagar Leiden 1640 - 1719 Arie de Vois Woman Drinking Leiden / Oegstgeest 1640 - 1719 Jacob Toorenvliet Banquet in the Open Air 1625 - 1678 Jacob Toorenvliet A Young Lady and a Fishseller Naarden 1635 - 1714 Amsterdam Gillis van Tilborgh Elegant Companyīrussels c. Leiden 1662 - 1747 Louis de Moni La petite tricherieīreda / Leiden 1698 - 1771 Jan van Neck Putti and Satyr with a Goat Leiden 1689 - 1763 Willem van Mieris Diana resting in a landscape 1610 - 1668 Frans van Mieris II The Fish Saleswoman Tilburg / Amsterdam 1755 - 1820 Jan Miense Molenaer Twelfth Night Nijmegen 1614 - 1669 Amsterdam Jan Joseph Horemans II The Cunning Maid or the Outwitted GuardianĪntwerp 1714 - after 1790 Jan Joseph Horemans I Musical Company Adriaan de Lelie Returning from the Market Haarlem 1634 - 1704 London Nicolaes van Helt Stocade King Tarquin and the Sibyl of Cumae Haarlem 1591 - 1656 Egbert van Heemskerck Tavern Scene 1610/15 - 1675 Dirck Hals Interior with Figures Smoking and Playing tric trac Rotterdam 1608 - 1677 Rotterdam Leendert Maertensz. Haarlem 1660 - 1704 Pieter Duyfhuysen Peasant Inn The Hague 1694 – 1762 Cornelis Dusart The Fish Saleswoman 1600 - after 1649 Abraham van Calraet Horse in a Landscape Hendrik Carré Fish Sellers in The Hague Middelburg 1600/1620- 1673 Middelburg Faustino Bocchi Glorious Entry of an Army of Dwarfs carrying Lootīrescia 1659 - 1742 Jean-Francois van Bredael I Hunters resting beside a FountainĪntwerp 1683 or 1686 - 1750 Anonymous artist, after Pieter Bruegel the Elder The Fat Kitchen Jan Jansz. The Hague / Amsterdam 1610 - 1674 Daniël de Blieck Interior of a Church The Hague 1610 - 1674 Amsterdam Painted circa 1650 Sybrand van Beest ‘Vrouwe Wereld’ : Allegory of Transience Sybrand van Beest The Hague Vegetable Market in Winter ![]()
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![]() ![]() Unlocks Birdsong's Cat's Agility Ultimate Attack:īirdsong leaps from enemy to enemy 5 times, dealing damage and stunning them for 5 seconds. Whenever Birdsong gets a killing blow, increases the effect of Song of Battle by 100% for 15 seconds (stacks up to 3 times, each killing blow resets the timer) Neutral Champions receive twice the benefit from Song of Battle. Good Champions receive twice the benefit from Song of Battle.Įvil Champions receive twice the benefit from Song of Battle. Whenever Birdsong hits an enemy, increases the effect of Song of Battle by 100% for 10 seconds Gear comes in different rarities (Common, Uncommon, Shiny Uncommon, Rare, Shiny Rare, Epic, Shiny Epic, Gold Epic). Gear: Every character has six gear slots. ![]() This guide will begin with an overview of how this game works. The best bet is to join the Idle Champions discord channel and request help by listing out your unlocked champions. This guide will provide a high level path to the Platinum trophy. Each level on a piece of gear will boost the increase by an additional 0.4. Increases the effect of Birdsong's Song of Battle ability by 100% Reduce cool down on Champion's ultimate attack. Continued abuse of our services will cause your IP address to be blocked indefinitely.Increases the damage of Champions within 2 slots of Birdsongīirdsong's Base Attack attacks 1 additional target Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
Enterprise risk manager11/30/2022 ![]() Optial’s risk management module then utilizes risk registers to identify and store risk data, linking risk records to key controls, etc. ![]() Optial solutions for incident management facilitate the capture, assessment and investigation of events before categorizing severity, prioritizing and analyzing trends to identify root cause. The platform was designed to work with companies in industries like finance, manufacturing, and health among others. #Enterprise risk manager software#Optial is a flexible, multi-module software platform for the management of key business assurance measures, including, risk, compliance, and auditing. #Enterprise risk manager full#Risks also include a full audit trail of any changes made to the risk. SpiraPlan has executive dashboards with risk widgets that include a Risk Register that lists the most important risks and a risk cube that displays a colored matrix of risk probability. SpiraPlan provides native support for adding, scheduling and tracking for the various mitigations to the risk. Users can analyze and categorize risks by importance: probability, impact and exposure. SpiraPlan’s helps users identify and assess potential risks - they can assign risk scores for easy prioritization, assessing and assigning scores to each identified risk. ![]() Risks in SpiraPlan are a separate artifact with their own types, attributes and workflows and are fully integrated with requirements, project management, issue-management and task-tracking modules of SpiraPlan. The platform supports businesses throughout the risk life-cycle: risk identification, assessment, analysis, tracking, mitigation, and reporting. SpiraPlan is an enterprise risk management solution that helps foster a risk-aware business culture within companies of all sizes. Resolver lets users manage and monitor each vulnerability assessment and mitigation technique used to resolve it through a centralized dashboard, that allows easy tracking of total risks assigned, resolved and unresolved. For risk prioritization and analysis, the platform uses a risk-scoring algorithm that ranks threats based on priority and severity level. Resolver comes with an incident management module that establishes links between and tracks risks associated with external events. The platform offers flexible reporting options where users can visualize risk matrix summaries, trending threats, and heat maps that can be exported into spreadsheets and presentations. Resolver uses its Resolver Ballot to facilitate a data-driven approach for conducting the risk assessment. It supports early planning of risk identification, in stages when project objectives and regulatory requirements are still in the making. Resolver is a tool that focuses primarily on risk planning and preparation for organizations of all sizes and from all industries. We present to you the top 10 Risk Management Solutions. Document management: collaborating and sharing documents and reports in real time.Issue management: Managing the execution of key risk-based projects and ensuring critical risk management issues are identified and accounted for.Regulatory compliance: Ensuring the company’s risk management processes meet all necessary regulatory compliance by defining and tracking processes and required compliances.Reporting and dashboards: Monitoring risks and solutions with easy-to-understand visual reporting and dashboards.Monitoring and testing: Defining key risk indicators (KRIs) and recording the effectiveness of risk management processes.Assessment: assigning ratings to risks or developing detailed classifications based on multiple factors defined by individual business units.Identification: identifying and recording business risks, includes defining risks for a repository or allowing users to choose from a pre-established risk dictionary.To minimize and manage risks, companies adopt Risk Management software that combines the following features: Risk Acceptance - accepting risks when the expected profit outweighs the expected risk.Risk Transfer - transferring the weight of the risk away from the business via insurance, etc. ![]()
Polyphonic pronunciation11/29/2022 ![]() Like all middle grounds, it is less firmly bounded and less subject to easy or fixed definition than are the poles it lies between. The biggest question faced by the student of musical texture is this: "When is the accompaniment truly subordinate and when is it independent enough to qualify as polyphony?" Homophony can be thought of as occupying a middle ground on the continuum between the poles of monophony (a single line of musical tones) and polyphony (several lines or melodies). 40 in G minor is a kind of enriched homophony with an active, agitated accompaniment that changes its pattern at the cadence. The following example of the beginning of Mozart's Symphony no. Polyphony, especially imitative polyphony, was saved for special effects, passages of greater complexity (such as the development sections of sonata-form movements), and deliberate attempts to evoke an earlier or more serious style (as in church music). In the Classical era of the later eighteenth century, the prevailing texture is a kind of "enriched" homophony, in which accompaniment patterns may have important rhythmic ideas. The following example of a dance movement in a Handel flute sonata is homophonic. The harpsichordist accompanying a Bach or Handel flute sonata, for example, may improvise imitative or other polyphonic lines, and some of the movements may even be fugues. In music for solo voice or solo string or wind instrument of the basso continuo era-the period we call Baroque (the 17th and early 18th cenuries)-the music of the bass line and chords is often but by no means always intended to be subordinate to the melody. Palestrina's music, for example, was designed to sound homophonic and even largely homorhythmic so that the words might be clearly understood, in the spirit of the Counter-Reformation, but was thought of by Palestrina himself and by subsequent generations as a very simple kind of polyphony. #Polyphonic pronunciation series#In Renaissance music, a distinction may be made between the way composers conceived of the texture of their a cappella vocal music-as note-against-note counterpoint-and the way some of it sounds to us-as a series of chords. The melody is usually played by the right hand, with chordal accompaniment in the left hand. Stylized dance music for piano, like that of Chopin in the 19th century, is also often homophonic. When composers during the eighteenth century and after included stylized versions of minuets in their symphonies and string quartets-dance music for which no dancing was intended-homophony was often the prevailing texture as well.įig. The melody, carried by high brass instruments like cornets and high wind instruments like piccolo, is accompanied by deeper brass instruments such as trombones and tuba. Marches like those of John Philip Sousa also require a straighforwardly homophonic texture. Another good example of this is the "oom-pah-pah" of dances like the waltz.įig. In Western music, homophony may have originated in dance music, in which a simple and direct rhythmic style was needed for the prescribed bodily movements of individual dances, as in this sixteenth-century example by Tilman Susato.Īccompaniments to the main melody had to be relatively simple so as not to confuse the dancers. A melody played by the cellos and accompanied by the rest of the orchestra may be homophonic, as this excerpt from Schubert's "Unfinished" Symphony reveals. Homorhythmic homophony may be performed by singers only or by singers together with instrumentalists, as long as the rhythm of the main melody is maintained in the accompanying parts.Ī melody need not be in the highest part of the texture. If the chords move together with the melody, with the same rhythm in all voices, the resulting sound is a type of homophony that is called homorhythmic. During the sung stanzas, the piano simply accompanies the vocal melody with an "oom-pah-pah" pattern. In the song (Lied) "Bliss," by Schubert, the piano has its own melody when the voice does not sing, accompanied by chords played by the left hand. If a singer is accompanied on the guitar or the piano, the resulting texture is usually homophonic. 94 (nicknamed "Surprise" because of this movement), the violins carry the melody, and the lower strings support it with a bass line and chords. In this example from Haydn's Symphony No. Homophony is a musical texture of several parts in which one melody predominates the other parts may be either simple chords or a more elaborate accompaniment pattern. A musical texture consisting of one melody and an accompaniment that supports it. ![]() Google tv browser11/29/2022 ![]() The Web Receiver app and then reload the inspector. When your Web Receiver is torn down (lifecycle ended), the debugger willīecome inactive with a warning message along the top. To tinker with the running Web Receiver app. #Google tv browser full#In the Chrome Remote Debugger console, enable debug logging, by entering theįollowing: ().setLoggerLevel() Warning: Always disable debug logging for production, and never log anyįull DOM manipulation is supported as well as the full Chrome JavaScript Scroll to the bottom of the settings and change the setting for Icon to the left of the address bar and select site settings. If the Chrome Remote Debugger does not populate, select the Select the session you would like to debug by clicking its Google Home app, going to settings, and looking under the The device IP address can be found by selecting the device in the Than the Chrome Inspector if you have many devices on your network: :9222 Go to the device you are debugging directly. In the Chrome browser, enter the following in the address field to Select the device for the Web Receiver app you want to debug byĪn inspector window should open, enabling you to remotely debug the In the Chrome browser, enter the following in the addressįield to go to the Chrome inspector: chrome://inspectĪ list of Cast-enabled devices on that network appears. There are two ways to connect to your device for remote debugging: Important: Debugging will not work if the Receiver devices are connected to the same network. To load the Web Receiver app for debugging. Start your sender app and cast to the Google Cast device Navigating to the Google Cast SDK Developer Console and casting the tab toīoth the application and device must be registered in order for you to #Google tv browser serial number#Note: The device serial number can be found by On the Google Cast SDK Developer Console. Register your application and Google Cast device To debug a Web Receiver app on Google Cast devices, do the following: To debug Cast apps on an Android TV device, see Launch Chrome Remote Debugger for a particular Google Cast device as follows: If you are not able to see your app in chrome://inspect, please try another Cast Note: Second and third generation Chromecast devices running firmware versionġ.49 may not be able to debug Cast sessions using the Chrome Remote Debugger. Resources on the Web Receiver and result in a failure. Caution: Leaving the Remote Debugger attached for prolonged periods can exhaust Use the Chrome Remote Debugger to debug a Cast application. ![]() Dragthing el capitan11/29/2022 ![]() The first two numbers could be evaluated with 4. I considered the expression from left to right. Now I wanted to evaluate a mathematical expression using the operations +, -, ×, ÷. Viral Math Problem from Google: Can you make 10 from the numbers 1, 1, 5, and 8? Viral Math Problem From Google – The 10 Puzzle. However, instead of installing it by dragging its icon to the Application folder, uninstalling CaffeinateMe may need you to do more than a simple drag-and-drop to the Trash. DRAGTHING EL CAPITAN MACCaffeinateMe is a third party application that provides additional functionality to OS X system and enjoys a popularity among Mac users. All ENZYME / UniProtKB/Swiss-Prot entries corresponding to 1.5.1.-All ENZYME / UniProtKB/Swiss-Prot entries corresponding to 1.5.-All ENZYME / UniProtKB/Swiss-Prot entries corresponding to 1. What's new in CaffeinateMe Version 1.5.5. CaffeinateMe can help by keeping your system running either for a specific time period or indefinitely until you cancel so that you never run into the issue of having your computer go to sleep while downloading a large file or performing a backup. DRAGTHING EL CAPITAN PRORuntastic Push-Ups PRO 1.5.1 Runtastic Sit-Ups PRO 1.5.1 Runtastic Six Pack 1.0.4 Saderat MBank 3.0 Safe In Cloud 5.3 Samanak 1.30 Samsung Kies 3.2 Scan QR and Barcode Reader 2.2.1 ScanDisk Memory Zone 2.0.7 Scrap Squad 1.0.1 Screen Off and Lock Donate 1.17.3 SD Speed Increase 1.5 SDCard Manager 4.6.8 SDCardRecoverFile 1.0 Sensor music player 2. Make sure your Mac does not go to sleep for a specific period of time without tampering with your. Single-minded macOS utility created to help you make sure that your MacBook will not automatically. ![]() Free pascal tstrings.addstrings11/28/2022 ![]() Procedure TForm1.ButtonAddClick(Sender: TObject) begin Procedure TForm1.FormCreate(Sender: TObject) beginĪ button of the form adds a random date to the list (of course, I've included in the project the unit containing the date component built in the previous chapter): This list object is created when the form itself is created: Its form has a private variable, holding a list of dates: It also shows the pitfalls of this approach. The ListDemo example demonstrates just this. When you need a list of any kind of data, you can generally declare a TList object, fill it with the data, and then access the data while casting it to the proper type. We can write an example focusing on the use of the generic TList class. ShowMessage ('String found') finally sl.Free end end Using Lists of Objects #FREE PASCAL TSTRINGS.ADDSTRINGS CODE#To fill a string list with items and later check whether one is present, you can write code like this: var sl: TStringList idx: Integer īegin sl := TStringList.Create try sl.Add ('one') sl.Add ('two') sl.Add ('three') // later idx := sl.IndexOf ('two') if idx >= 0 then In Delphi 6, the TList class has an Assign method that, besides copying the source data, can perform set operations on the two lists, including and, or, and xor. There is a Count property, as well as typical access methods, such as Add, Insert, Delete, Remove, and search methods (for example, IndexOf). You can operate on lists using the array notation (" ") both to read and to change elements. All these lists have a number of methods and properties. To loop through a list, you can use a simple for statement based on its index, as if the list were an array. The two classes of lists of strings also have ready-to-use methods to store or load their contents to or from a text file, SaveToFile and LoadFromFile. For example, you can use them for dictionaries of associated objects or to store bitmaps or other elements to be used in a list box. This opens up a number of different uses for these classes. TStringList and TStrings objects have both a list of strings and a list of objects associated with the strings. You can use this class to define a list of strings in a program. TStringList, a subclass of TStrings, defines a list of strings with their own storage.For this reason, TStrings objects are used only as properties of components capable of storing the strings themselves, such as a list box. This class defines an abstract list of strings. TStrings is an abstract class to represent all forms of string lists, regardless of their storage implementations.The advantage of dynamic arrays over a TList, instead, is that dynamic arrays allow you to indicate a specific type for contained objects and perform the proper compile-time type checking. A TList is more flexible than a dynamic array, because it is expanded automatically, simply by adding new items to it. TList defines a list of pointers, which can be used to store objects of any class.Mastering Delphi Lists are represented by the generic list of objects, TList, and by the two lists of strings, TStrings and TStringList: ![]() N track studio 8 extended11/28/2022 ![]() Get another musician into your project, or contribute to a song started by others. The new integrated Songtree app lets you make music with others online. N-Track Studio 9 brings music collaboration inside your DAW environment. The new screen Drumkit controller lets you play drum sounds with the look and feel of a real kit. Start a song in one click using the factory patterns, or have fun creating your own. Write and edit MIDI data for controlling virtual instruments using the intuitive built-in piano roll editor.Ĭreate beats, sequences or arpeggios easily with the new Step Sequencer. N-Track Studio is a complete DAW environment, and comes with the following features and plugins Using VocalTune you can do anything from simple pitch correction to completely transform your vocal. You can also snap your vocals to common scales, as well as create your own. The new VocalTune plugin lets you easily fix your vocals pitch. The new Bass Amp plugin features bass amp head simulation, and you can choose between various cabinet models, for sounds ranging from deep, driven basses to more present and high-end rich ones. You can also choose different microphone types, and play around with mike positioning and gain control. The new Guitar Amp plugin features new algorithms that simulate the sound of classic amp heads, and real impulse responses taken from vintage and modern cabinets models. Make your guitar sound huge by choosing among great amp head simulators, and different modern and vintage cabinets inspired by classic models. New creative tools: VocalTune and Guitar & Bass amp simulators. Version 9 has been completely redesigned, and introduces #N track studio 8 extended professional#N-Track Studio brings you professional audio quality and easy workflow. Studio quality recording, editing and mixing software. ![]() Amnesia the dark descent servant grunt11/28/2022 ![]() Pulling out a sheet of paper from the inner pocket of his coat, the well-dressed butler began to list of appointments. "What is my schedule for the rest of the day?" Not to mention, the possible meeting of future clients." He explained.Ĭiel glared at him, but asked him another question. "But, my lord, if I may, social gatherings provide an opportunity to discuss business with fellow partners. Sebastian smirked, and raised an eyebrow. When will the nobles realize I am not interested in attending their useless soirees." Ciel complained. "These party invitations are nothing more than a bloody nuisance. He handed over the post to his master, and began to pour the tea. Out of the five letters you received there was an invitation to Lord Jackson's annual spring ball, a letter from the factory in India discussing progress in this season's production, another invitation to a party, and two newsletters." Sebastian responded. After a minute or two, Ciel cleared his throat, and asked, "Sebastian, did you bring in my mail?" He made room on his desk for the cake, and began to eat. It is fresh off of the kettle, and will burn you."Ĭiel grunted in acknowledgement, and put aside his paperwork. " The cake is topped with fresh whipped cream, and do wait a moment before you drink the tea. Today I have prepared jasmine tea with lemon, and strawberry short-cake." His butler announced. Sebastian bowed courteously, and walked forward, pushed the trolley ahead. He did not even bother to look up from his papers. "Sebastian, where is my afternoon tea?" Ciel asked, sounding dreadfully bored. Some Sebaciel for your reading leisure! Let's just say, Ciel doesn't remember ordering Sebastian to piss him off on a daily basis. "Bringing sharp objects into this home is a strict 'no-no', my lady." "Now, now, now." He asked as he took a heavy step forward, the knife being tossed away in an equal gesture. However, in this moment, he was drawn to gaze upon Diantha with all the form of a disappointed father. He would have to deal with that later, already worried about how it might stain the white carpet. The gave a grunt, however, as he gripped it tight and pulled it out of him, the blood dripping on the carpet in wet splatters. A proper tool and, it would seem, also a proper weapon. It was made of such fine leather, bound to be so perfectly balanced. His hand moved upwards to rest along the hilt, feeling it cave underneath his fingertips. The knife was suited to cut steak, sharp and pointed, and well equipped to bury itself into his chest. The look of shock seemed present on both of their faces as the duke took a step backwards. How had she stole the knife she now plunged within his heart? He would perch her up like a little doll, a marionette that he might pluck the wires and make dance to his whims. Every other morning he would come in and seat himself across from her, showing her the new items he commissioned had made for her. A servant came in to prepare her meals, fix her bedsheets, and clean the grounds. It was so improper for a lady, a woman, such as herself, to wield such dangerous items, so he had simply made sure they were gone. Everything in the house he had provided her had been specifically designed so that she couldn't have access to such items. Stab my Muse: □ - she got the knife, he wouldn't know. Just like the actual game itself, alexander is only looking out for himself. the servant grunts and brutes are giant compared to them. this soon changes however as with each dream, he gets closer to grasping the orb.ĭaniel and alexander are tiny compared to what would be the antagonists of this world. he admits that he has always been too afraid to approach it as he is soon deafened by a roar and is woken up. Instead of the corruption/disease of this world being linked to some sort of broadcast or TV, it would be linked to the shadow instead and it's orbs.ĭaniel frequently has dreams about being alone in an empty chamber, where the only source of light emits from a blue orb in the center. the next will be the little nightmares characters IN amnesia. This is the first batch where amnesia is the dominant game. Just recently replayed one of my favourite horror games amnesia the dark descent- and have also planned to replay the first LN- it's cause of the timing of these two games that i wanted to combine them together and form some sort of au/crossover ![]() Online barcode maker free11/27/2022 ![]() ![]()
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